New film reviews are all spoiler free!
Oldies are a little more in depth!
If you want to suggest a film for me to review tweet or Facebook us!

Thursday 31 January 2013

CBT! Superior Spiderman #2, Avengers #4.

Superior Spiderman #2
I was one of the supporters of the status quo shift and of Dan Slott's development of Doc Ock into Peter Parker, but this... is a joke. The only way to enjoy this comic is as though its a "what if" or a phase everyone can forget about, the comic has lost all seriousness, it is a joke, Slott has thought of a few things he thinks would be funny, such as ock "enjoying" memories of Peter and MJ, it has turned the comic into a poor meta about comicbook heroes' faults, which could be a good idea but its execution is poor and so is the comic. Unfortunately I don't think the artwork is any saving grace, its too busy and further crowded by pointless overbearing speech bubbles. So obviously overall this comic is a bag of Doc Ock's wank, it also levers Carly into figuring out the whole Doc is Peter thing which will most likely resolve itself within the year.
5/10

Avengers #4
This issue was ALL about Hyperion... not a bad thing as I had no clue who he was before today... Despite its simplicity this was a nice introduction to the character whilst mopping up a little of the fallout from the first set of villains, its a smart way for the comic to develop, a little down time till the next big bang. Hyperion seems a little like Sentry to me but that depends on where he goes from here, hopefully not the same way but the ominous undertones of his character were hammered into the audience in this issue, its clear hes gonna have some issues. I also think that after AIM taking a bit of a backseat in the past they are EVERYWHERE now! But thats no problem, they are a pretty classy evil organisation by anyone's standards and they're still not spread as thinly as Wolverine. Art wise I was excited to see a Kubert as always but felt a little let down, most of the pencils were just a little off, the panelling on the other hand was sweet, rightfully reminiscent of the 90's but I think in general Adam Kubert's art suits battles and action more than recon, the best art in the book for sure were the Hyperion sections. Pretty standard but a nice intro to Hyperion and a nice cool off from #1-3. I look forward to learning more about the team and seeing more missions in the future.
7.5/10

I would like to point out that I know I am highly critical of a lot of what I read but I have to pick at the little things because in general comics are amazing. I expect them to be high quality, a 7/10 for a comic is like a 9/10 for a... something ordinary. :)

Sunday 27 January 2013

CBT! Avengers 3, Uncanny Avengers 3, Uncanny X Force 1, Young Avengers 1.

Avengers #3
The conclusion of the first Avengers arc is upon us and it brings with it tantalising teasers and typical problems, well written, again, Hickman's story comes to a clear and tidy end. As always a really enjoyable book and as always I have a few problems with it, firstly the first few pages of exposition are more recap than anything else and feel like they could have been more minimal. My other big problem is something I come across a lot in comics, Ms Universe or Equilibrium or whoever she is, is so powerful the rest of the Avengers are redundant, another appearance of this is Sentry however they fixed that by making him crazy... Anyway I realised when reading this how little I knew about a lot of the Avengers so it would be nice for a few of the next comics to solidify the line up and introduce the characters a little more. The SPOILER "one is life, the other is death" teaser is one to get excited about but again it feels very much like Hickman's uncanny x force. END OF SPOILER
A nice end to a decent introductory arc without too many dark questions or challenging material, just a decent read with some new epic team ups!
8/10

Uncanny Avengers #3
Things are finally kicking off in Uncanny Avengers, after two issues of setup its time for a battle between the Uncanny Avengers, the Red Skull's S Men and the crazed mutant hating american public. For an epic sounding comic for me #3 lacked pace, I felt the comic was too wordy, for an action climax the words slowed it down too much, I wanted to "watch" the battle unfold but the script took me out of the moment. The art was also a little off, I am starting to dislike lack of shading, pencil lines and "dirt" so for me this week I was a little disappointed, also the story itself was a little basic, the lack of planning or complexity in Red Skulls work puts me off a little. I really want this title to be good but so far I am not satisfied. As with the last few, an ok comic but nothing near as special as I expected.
6.5/10

Uncanny X Force #1
I was in no way looking forward to Punk Storm, Bishop, Puck or really any of Uncanny X force, especially after Cable and the X Force being amazing and me losing faith in Uncanny X force in the mid 20's. Fortunately the new writer and artist have produced something surprisingly good! The artwork was really nice, the clubish colours and thin pencils look really cool and fit the style of the comic, for someone who hates punk storm I quite liked it. Psylock's character seems to be going in circles a little but other than that the comics storyilne was decent, I like the idea of it being Puck's team, its a little unusual but all together the comic is written well enough that it seems both plausible and cool. I wasn't planning on this being a regular pick up for me but now I am very tempted!
8/10

Young Avengers #1
Wow! It was crazy as expected, the team of Phonogram injecting witty emotional realism into the Young Avengers whilst shaking up the relationships and the line up. I enjoyed this issue immensely, and one of the main reasons is the stunning art work, the mixture of stylistic and exciting battles with plain 8box pages instantly set the tone of the page, their juxtaposition increase their effect and the artwork and colouring within the panels is clean, smooth, expressive and brilliant! Onto the writing, the speech and narration itself was all natural and emotive, Loki always provokes a laugh and the quite scenes between Hulkling and Wiccan were really heartwarming, Gillen wasted no time in getting to the emotional heart of the book. As for the overall story, the team isn't quite "assembled" yet but I can imagine the cliffhanger of the book will be the force that brings them together, and what a crazy cliffhanger it is. Again I absolutely loved this book, each individual page offered something new and exciting or heart warming and all elements of the artwork perfectly translated the emotion of the comic. An awesome first issue, can't wait for more!
9/10

Saturday 19 January 2013

Into the Abyss (2011 Werner Herzog)


Into the Abyss is the chilling story of a triple homicide committed by two young boys one sentenced to death and the other life in prison. The horror of this story is clear, director Wrner Herzog mixes unsettling archive footage of the murder scenes with a large range of interviews exploring the victims, their families, the crimes, the criminals and their families and ultimately the people who deal with corporal punishment, the issue that lies at the heart of the film.

The film begins as a clear argument against capital punishment, a priest retells stories and process' he goes through when an inmate is given the lethal injection, he holds their ankle, reads them their rights, and prays for them. With all of his faith he says "I cannot stop that process, I wish I could", one would expect the documentary to continue in this way, and then to further its point justify the crimes of an inmate on death row and put him on an almost heroic pedestal, Herzog doesn't. Instead Herzog uses real crime footage of the bodies and harrowing recalls of the moment the families discovered what had happened, in a large number of segments Herzog explores every facet of the crimes.

The film is largely participatory, as is Herzog's style, he constantly and visibly pushes people into an emotional response creating a really heartfelt piece of cinema that touches the whole audience. The ethics of this participatory documentary, in Herzog's pushing, for example one of the culprits says he cant explain how he felt, to which Herzog responds "try, try to explain it". Pushing people in this way is clearly crossing a boundary into a level of manipulation that heightens drama and gets the emotional responses Herzog is looking for. I think the only thing that saves Herzog's approach from being incredibly insensitive is that he leaves in his own probing, he doesn't display the "pushed" answers as natural therefore exposing his probing to the audience for their judgement. The biggest problem with this is that it works against the emotional connection the audience gain from their recounts of lost family members. Herzog uses these characters in part as witnesses but mainly to give the audience an emotional connection and "activate" (Nichols 2001) the audience, making them actively think about their own family members.

Into the Abyss is a good example of a documentary which splits the line between being about a subject and telling a story. Clearly the crimes committed and the way they have effected everyone involved is the main story of the documentary however almost every scene is laced with a point for or against, although usually against, capital punishment. Whilst these points may seem hidden by tears and emotion and the middle of the film villifies the clear villains further for their crimes Herzog ensures the argument is not forgotten and tays the most poingient thing in the film. He does this by framing the whole narrative with "expert" witnesses arguing against capital punishment in the "Prologue" and "Protocall of Death" sections. Despite the clear argument against capital punishment the film makes Heerzog is careful to include some other opinions however briefly.

It is clear throughout Into the Abyss that Herzog has done his best to show all of the damage that the crimes caused in a fair and emotive way. He shows the culprits not as evil but as people who have made a mistake working towards his argument against capital punishment. He goes some way to trying to explain why it could have happened, in a cultural way, and works his hardest to show what the people involved have learned. Overall Into the Abyss is a look into all facets of life after murder from all angles and perspectives presenting all as victims in some way. Throughout all of these messages the theme of anti capital punishment rings through compiling a compelling argument through its heavily constructed representations of good and evil people throughout and after the hardest of times.

Bibliography
1. Into the Abyss (2011), Herzog W, USA, UK, Germany,  Creative Differences Productions

2. Nichols. (2001). Why are ethical issues central to documentary film making . In: Introduction to documentary. usa: Indiana University Press. p1-19.

3. Nichols B. (2001). How do documentaries differ from other types of film. In: Introduction to documentary. usa: Indiana University Press. p20-41.

Thursday 17 January 2013

CBT Savage Wolverine 1, X Factor 250, All New X Men 6, Indestructible Hulk 3, Captain America 3, New Avengers 2.

Savage Wolverine #1
Wolverine has always been overworked and milked, Marvel now doesn't look like it will be an exception, and unfortunately Savage Wolverine isn't one of the better titles. I can only guess that the situation in the Savage land will last for ever, as the title suggests it will, so I don't expect the title to change or adapt all that much, I definitely dont expect any character development or questions to be answered. If you pick up Savage Wolverine all you get is another Wolverine story, him on a random mission doing what he does repetitively. On the art side of things Cho's work is ok, it is a little off but I honestly think that has more to d with the inks, and I like the panelling, it takes me back to Frank Miller's work on Wolverine. I think this is one of the first marvel now titles I am 100% sure I wont be picking up any more  its not awful but in a sea of wolverine comics and team ups a solo series has to do more to be interesting and Savage Wolverine falls into mediocrity.
6/10

X Factor 250
Hell on Earth War has begun with issue 250 of X factor! On a little side note I dont like these kind of earth changing stories in less mainstream comics because you know they cant be earth changing because it would be in a bigger title, I think in general XF would benefit from reducing the cast a little and going back to its private eye beginnings and noir style. Anyway back to #250, this explosive beginning ties together a LOT of things that have been brewing, but not all things, that would be insane, there are looooaaaaddds of thread in XF and it looks like some of them MAY be answered however Pad has a knack of getting out of giving us any answers. I have no decent idea of where this is going to go and I enjoyed the issue a lot, the art was great as usual and the battle to kill Tier for the leadership of hell is a great idea, im not quite sure yet why any of it makes much sense yet but its cool, Im looking forward to more as always.
8/10

All New X Men 6
Well the first 2 pages were a cop out! Issue 6 continues the relatively dull exploration of the past x men as they readjust to life in the present. Focusing on Jean and Scott with Angel thrown in at the end the issue was only enjoyable when reading Kitty's passages, guiding and comforting Jean, I think this is still because I am completely uninvested in the past x men as characters and just want them to go back! Scott and Wolverines scuffles were pretty pointless and the comic seemed only to move forward in the final panel and speech bubble, looks like the brotherhood of evil mutants is coming back with Mystique as its leader, clearly this will mean some villains to make Scott's team less villainous. Anyway the art changed in this issue but not a lot, its a little less glossy but very similar pencil wise and still pretty decent although the wolverine is a little off... So 6 is pretty much what you expect, MOVE the comic FORWARD BMB!
7/10

Indestructible Hulk 3
Indestructible Hulk 3 continues to establish the new equilibrium Banner is in, using his skills as a scientist and a Hulk, this issue specifically focuses on the Hulk part in a awesome battle with a classic AIM villain. Art stays fantastic although I am disappointed that Hulk isn't in the cool armour that the cover teases. Some new and potentially interesting characters have been introduced so I am looking forward to seeing Banner interacting with them rather than just Maria Hill. I really like the mission kind of set up that #3 presented and honestly really enjoyed it and the things it implies for the future of the book.
8/10

Captain America 3
Cap 3 is a nice quick read, the story is still a little insane as it its ending but the action and the narration are as strong as they have been throughout the series. I love JRjr's 1930's art, I love the colour scheme and the way he draws kids but the stuff in Z world still isnt quite up to scratch. Throughout it is the narration and the action are the most enjoyable aspects of the comic and I hope that once this story ends the writing style stays the same.
7.5/10

New Avengers 2
New Avengers #2 is my pick of the week for sure! An excellent comic, somewhat wordy for sure it was exciting, interesting and epic. I am so excited for the next issue! The art was sweet as it was in the first issue and the darkness and panelling gave the comic a really dark and epic feel. The whole storyline is fantastic, a little complex but it makes sense for sure, I love the galactus undertones and am looking forward to meeting the villains that have been teased in this issue. I feel a little like the infinity gauntlet is in it so that people learn what it is before Avengers 2 but its a wicked device to use and definitely fits the comic well. The comic also managed to rectify my problems with the first issue, Namor was threatened by Black Panther which is good and the real tone and story were actually laid down. Read the comic, its ace!
9/10

Friday 11 January 2013

CBT Cable and the X Force 2, Superior Spiderman

Cable and the X Force #3
Another brilliantly written issue of Cable and the X Force hit the shelves this week, again the interactions and dialogue are perfect! I am struggling to say more about this comic, it really just feels like these characters really living their lives. As always I loved this issue however I had a few problems with it... Firstly I dont really see the importance of the mission, yeah if nothing was done about it then sentinels, dystopia blah blah blah but I dont get why cable didnt go to the uncanny avengers about it... Secondly I really dislike the fact Cable is still dying, I thought without the TOvirus cable's storyline would open up to more than just terminal illness. Apart from those few things the issue was great, I like the whole "butterfly effect" stuff, Forge's tech was cool and Doctor Nemesis' Blade Runner quip was brilliant! Again it has to be said Larroca's art was spectacular, Havok was again particularly excellent and I can say nothing more than I cannot wait for the next issue!
9/10

Superior Spider-Man #1
After the epic status quo shifting ASM700 Spiderman's future was kind of up in the air, with SPOILER Otto Octavius now Peter Parker for good we got a first look at what kind of SpiderMan he would be, and well it looks like he is going to be a Spidey who uses more gadgets and acts like Toby Maguire in SpiderMan 3... Maybe... So overall I really like the idea of switching the characters, for me Spidey just never changes and I was getting pretty tired of it, in fact I stopped reading ASM after spider island when it looked like MJ and Pete would get back together, yawn.... But this big change has the chance to be "superior" however devices are already in place for Peter to take back over, I might start a bet on how long it will take, less than a year I think. But with all of that aside the issue itself was pretty decent, I didn't really like Doc just being a dick to everyone but the action was well planned and looked pretty nice. The art in general was pretty good, nothing really special but not bad in any way. Hopefully some good things will come of this change, with #1 all we really saw was Doc being like he was in ASM and the beginnings of Peters unexplainable, inevitable return, put in now to prevent it being called a deus ex... Anyway its worth picking up as a taster of what is to come but I didn't find anything spectacular, amazing, astonishing, sensational or superior about #1
7.5/10

Wednesday 9 January 2013

Grizzly Man (2005 Werner Herzog)


Grizzly Man is a 2005 documentary directed by Werner Herzog about Timothy Treadwell, a man who spent 13 summers living with grizzly bears only to be eaten along with his girl friend by the bears he cared for so much. Werner Herzog uses a mixture of interviews, his own footage and the footage of Timothy Treadwell himself who filmed himself to educate school children of America about the Alaskan Peninsular and the animals he interacts with, whether they be fox's or grizzly bears. A stunning character portrait is formed showing Timothy the "grizzly man" as a nature loving, frustrated eccentric whose videos "take on the quality of a confessional" showing how "the actor in his film (himself, his created persona) has taken over the film maker".

The film plays with several "modes" of documentary cinema as defined by Bill Nichols in Introduction to Documentary (2001) it does this through the several "levels" of film making. Firstly and a whole the film is reflexive, through Timothy's documentary Herzog analyses the medium of documentary itself and shows how what Timothy presented as nature documentary can have a different meaning when looked at in a different context and as Herzog puts it "it is not so much a look at wild nature as it is an insight into ourselves and our nature." Through the images Timothy would how us we also get a sense of the observational mode, the classic nature documentary, that with rough and improvisational camera work gives us an insight into the lives of the grizzly bears. Through the interviews and Herzog's interaction with the family and friends of Timothy we get a sense of the participatory mode, Herzog seems to gain a compelling personal connection with Timothy and his friends, most notably after listening to the audio recording of Timothy's death when he pleads with Jewel Palovak, a woman described by Herzog as Timothy's "widow", never to listen to the tape. Through the sections that Herzog shows us, perhaps the parts Timothy would not have deemed useful we get a beautifully poetic documentary, as Herzog says the camera tends to "linger" and captures beautiful images and some beautiful incorrect tapes showing the inner character of Timothy Treadwell. There is another further reading into the film that explores Herzog himself, which Mode this fist into is unclear, possibly reflexive possibly performative however though Timothy's character and Herzog's treatment of him we get a picture, a portrait of Herzog himself, I would go as far as to say that if looked at closely enough Grizzly Man is a film as much about Timothy Treadwell, an eccentric film maker, willing to do anything to get his message across, methodical, emotional and driven as Herzog himself, also a driven film maker whose emotion comes across in this film.

One of the central ideas put across by Nichols, although it is fairly obvious, is that most documentaries have an aim or a point, "they work to convince us one view point is preferable to the other" (Nichols 2001) however the view point Herzog is trying to put across in Grizzly Man is somewhat unclear, at least on a simple negative or positive scale. Herzog never shies away from the brutality of Timothy's death, we hear many accounts of what the scene looked like, Herzog himself says "what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy", all of this depiction shows Timothy as playing with danger for no reward. However this isn't the only representation of Timothy throughout the film, he is also shown as a passionate eccentric who truly believed in his quest to protect the relatively safe bears. The pleasure he gains from his life with the bears is clear, his friends all believe in what he did, you get an overall sense throughout the film that the 13 summers he had were worth his life, without the bears he wouldn't have wanted to live. This is a cleverly constructed image partly from Timothy himself who crafted his new persona after a failed acting career and alcohol abuse and party by Herzog himself who shows Timothy's passion through light and dark times, from ecstatic happiness to fury and all in between. I believe when you view this as part of a larger number of films about similar characters by Herzog the "case" becomes that passion, striving to do something you love no matter how difficult, is worth it, Timothy paid the ultimate price but lived the ultimate life. His obsessive qualities are not a bad thing, maybe his passion was misplaced but there is nothing wrong with passion. 

One of the most captivating scenes, the "participatory scene", is when Herzog listens to the tape of Timothy's death to decide whether to include it or not. At first he narrates what he hears, then falls silent before asking Jewel to turn the tape off. This ethical decision is part of what happens in all documentaries, it must have happened with many of the things said and shown by the coroner, all of which are harrowing and graphic enough, but the inclusion of this ethical decision adds a gravity to the situation, as an insider, exploring with Herzog that is the point in which Timothy's death becomes a real undramatised event not to be exploited by the film, it makes the decision known, the audience are therefore not unsatisfied when they realise his death deserves some privacy.

Grizzly Man is a pretty basic "I talk about them to you" (Nichols 2001) kind of documentary, it uses the character of Herzog as a film maker to explore Timothy's life and choices. The I talk about them to you relationship that the film uses mimics Timothy's own documentaries in a parallel that works hauntingly well, highlighting the "Grizzly" in the man, a subject, somewhat alien to the audience, somewhat animal, yet insightful and identifiable, an appropriate link between Grizzly and audience. This is extremely important however the most identifiable person in the film is Herzog himself, we feel as though we are discovering Timothy with him, and learning what he has learned. There is a large question in my mind of how much of the "persona" of Timothy's on screen presence was real, although there is little reason to doubt it we know that for the last trip at least he lied about being alone, he was with his girl friend, this adds a sense of doubt, maybe Timothy was a different person when the camera wasn't rolling. Admittedly there is a large amount of footage from "between the takes", footage that Timothy wouldn't have wanted us to see so why would he continue to act? It is also possible that he does act differently, the continuation of the character is only occasional, if so Herzog wouldn't have wanted to show this, it would work against his depiction of Timothy as a passion driven warrior.

Grizzly Man is a heavily constructed exploration inside a heavily constructed exploration, it works on many levels and simply leaves the audience with a melencholy joy for the passion Timothy possessed and ultimate sadness for his death. Herzog has crafted an emotional termoil within the audience and questions us all about how far we would go for our passions. The visually and emotionally stunning film offers and interesting insight into the life of an eccentric, the life of a film maker and the life of an obsessive. It is a clear success, gripping and heartwarming.
8.5/10

Bibliography
1. Grizzly Man (2005), Herzog W., USA, Lions Gate Films
2. Nichols. (2001). Why are ethical issues central to documentary film making . In: Introduction to documentary. usa: Indiana University Press. p1-19.
3. Nichols B. (2001). How do documentaries differ from other types of film. In: Introduction to documentary. usa: Indiana University Press. p20-41.

Thursday 3 January 2013

CBT All New X Men 5, Iron Man 5, Morbius 1, New Avengers 1

All New X Men #5
I have been notably uncomfortable with All New X Men and have found it in most cases less epic than I have expected, whilst this issue was far from epic the direction of the series seems to have finally been nailed down, the set up seems to be over and the actual stories can begin. One specifically bad point for this comic is the random insert of Cyclops recruiting the kid from the issue before which really feels more like an epilogue that should have been in the last issue, in this one it just breaks up the focus for a few pages leaving the reader expecting a split comic and getting a very one sided issue. Not that that is a massive problem I just personally would have preferred to have this whole issue focusing on whats happening at the school. As for what is happening at the school, this is one of the best issues yet, it isn't just set up, Beast's health problems are finally addressed in a fun and appropriate way and the All New X Men finally decide what they are going to do. Unfortunately Beasts new transformation looks stupid, he looks more like a blue monkey than a cat... However the best things about the issue are kitty leading the new x men and Cyclops calling his school Xavier's school for the gifted. I am also still waiting for someone unexpected to change sides, I had hoped it would be past beast but with past Angel's growing curiosity about his own fate and wish to return to the past could he be the x man to turn over to Cyclops' side?
Overall a pretty good issue if for no other reason than some things got resolved and I am hopeful that this issue is a turning point for the series to start moving at a better pace.
7.5/10

Iron Man #5
Gillen has done it again, another fantastic issue of Iron Man hit the shelves this week, with less action and more pontificating the future of the series is addressed and laid out for all to see, Stark is going to space. He is turned on to this idea by an old colleague "Eli" who took the last rogue extremis to make space capable humans to inhabit Mars. Tony disagrees with his capabilities to use the extremis responsibly or to protect it from others and quickly efficiently takes them down, the way this is explained is brilliant, I love getting a look at Tony the tactician! The soul searching within the issue works well, it feels like Pepper finally pins him down and wants to get to the bottom of his current issues, a sentiment he shows he needs by calling his new ai P.E.P.P.E.R. a fitting reminder of home for Tony. The AI isn't the only new thing for Tony to use in space, he has a new suit and it looks fantastic, Land has outdone himself, it reminds me a little of some of the variations from the 90's and from the Heroes Reborn era. I do think that it seems as though the series moving forward slightly mimics Avengers in its "be bigger" ethos and slightly mimics the marvel cinematic universe in its galactic feel. Stark wanting to do more with himself also mimics slightly what Waid is doing with Banner in Indestructible hulk however both of these similarities can be put down to general character progression and is a good thing for sure! An excellent end to the first arc, ultimately uplifting and exciting, the whole series so far has been perfect and I recommend it to all!
8.5/10

Morbius #1
Keatinge's new now Morbius is trying painfully hard to differentiate from the Morbius of old, however an origin mixed issue isn't a great way of doing that, the first issue seems like more of a catch up issue for new readers, however it does offer a feel of how the character will be tackled and the general feel of the book will be. One of my favourite things about this issue was the thin panels that only contained text, they seemed to be one of the few unique and punchy things about the comic. Morbius still seems a lot like himself he has always been troubled and worried in himself,  personally would like to see the series move towards Morbius being self sufficient and decide what he wants to do, scientifically or heroically or even villain...ey. Overall it wasn't a bad start, it was fun but it wasn't really a proper start to the series.
7.5/10

New Avengers #1
The first issue of the New Avengers is a simple tale of how Tchalla, the Black Panther gets over his aversions to joining the Illuminati. Except for introducing a villain and getting over this little stumbling block the majority of the issue is a little pointless, that does not mean however that it is not enjoyable. Hickman's writing is as always enjoyable but much like Morbius the majority of the issue is just set up and I am duly excited to see the next few issues. I do have one MASSIVE question WHY THE FUCK HAS TCHALLA LET NAMOR BACK INTO WAKANDA!!! Apart from that enjoyable set up to an exciting story with above par art from Epting that feels just like all his other art, pretty basic but pretty decent comic book art.
7.5/10

Wednesday 2 January 2013

Happy New Year!

Hey guy I know its a little late but I want to wish all of my frequent readers a happy new year and I hope you all had a great Christmas. Sorry for the lack of pots recently but I am taking full advantage of my holidays however normal posting should resume in a week or so, till then I hope you all enjoy the holidays as much as me!